Saturday, April 28, 2018
Overcoming the Obstacle Course: Teenage Boys and Reading
Tuesday, April 24, 2018
Toys at Chicago public library teach building blocks of code - without a computer.
Parnell, Jacqueline
Jackson, C. V. (2017). Toys at Chicago public library teach building blocks of code - without a computer.
Learning Beautiful is a startup up company that specializes in creating Research-driven and Montessori-tested toys for young children. These toys are made of natural materials to preserve simplicity and craft that goes into their design. The Chicago Public Library system is Learning Beautiful’s first library customer and will have these toys available for use at their newly redesigned Thomas Hughes Children's Library at the Harold Washington Library Center.
What makes these toys so special is that they help teach children, as young as 3-years-old about the fundamentals of computer science. The toys are designed with concepts in mind such as binary numbers and pixels. The Chicago Public Library is already using toys such as BeeBots, Finch Robots, Cubetto, and Lego WeDo robotics kits to encourage computational thinking, design, and mindfulness. The idea behind bringing these toys to the library is that we don’t need high-tech toys or gadgets in order to teach children how to code. This is also an effort to match local schools in bringing more technology into early childhood learning. Chicago Public Library Commissioner Brian Bannon stated,
"We thought if our education system sees this, then we should be making the same kinds of things available, at scale, through our neighborhood libraries, and in our programs," Bannon said. "These kinds of programs are linked back to what we're trying to do as a city, which is building … curiosity in the children that we have in our city today in the careers that will drive our economy.”
The Learning Beautiful company has plans in the future to distribute their toys to other libraries and museums before making them available to homes.
This is a great collaborative effort and will allow so many children access to learning tools and building blocks in their educational endeavors. It would be wonderful to see these types of toys in every library.
Saturday, April 21, 2018
Collection development trends in academic libraries
Horava, T. & Levine-Clark, M. (2016). Current trends in collection
development practices and policies. Collection Building, Vol. 35(4),
p.97-102. https://doi.org/10.1108/CB-09-2016-0025
This journal article presents the results of a study done in 20
academic libraries. It explores the current trends in collection
development practices and policies in North American these
libraries. Items studied include their policies, demand-driven
acquisitions models, rationalizing legacy print as well as
local digital collections. A highly informative article to read if
you want to work in an academic library or currently are in
one, but need help with future collection development.
Tuesday, April 17, 2018
Censorship in prison libraries
Corrine Calvert
Bullinger, D., & Scott, K. (2017). Censorship in prison
libraries. Retrieved from: https://www.ideals.illinois.edu/bitstream/handle/2142/96033/2017_MastersShowcasePoster_Bullinger_and_Scott.pdf?sequence=2
Summary: Prison libraries face a variety of censorship and
intellectual freedom challenges. Formal collection development policies are
lacking, and librarians must instead follow the regulations for each
institution. Several topics are censored or banned, including pornography,
content about social activism, theories of revolution, books which glamorize
crime, and material that is considered a threat to security. Prison librarians
don’t have final say on purchase orders and have limited funds for new
materials. They often rely on donations, NGOs, and religious groups for new
materials. Prisoners may see librarians as untrustworthy, which could be valid,
since some prison libraries track borrower data and circulation records. ALA
guidelines revised their Prisoner Right to Read Statement in 2010. It defends
prisoners’ intellectual freedom, discourages censorship, and focuses on
upholding the security of the institution. IFLA Guidelines for Library Services
to Prisoners, revised in 2005, focus on improving literacy skills, lifelong
learning, education levels, and personal lives, similar to the model of the
public library. The authors conclude that firm collection development and
censorship policies should be in place; that prison librarians should work with
prison staff to ensure an environment that is safe and fosters learning; and
that NGO partnerships can help provide current, relevant materials that support
these unique patrons’ interests and learning goals.
Friday, April 13, 2018
Overdrive to Offer Cost-Per-Circ Model for Ebooks and Audiobooks to Library and School Partners
DiBello, Amy
https://blogs.overdrive.com/general/2017/05/30/overdrive-offer-cost-per-circ-model-ebooks-audiobooks-library-school-partners/
As I have been putting together presentation #4, I've been crunching the numbers on how to provide my library with more eBooks and eAudiobooks. Overdrive is taking a page from the hoopla playbook, and will soon offer cost-per-circ options for public and school libraries.
This blog post by Hadie Bartholomew, Overdrive Communications Manager gives collection development librarians the means to meet patron-driven acquisition needs and libraries will only be charged when a patron actually borrows a title. It is possible to stay within a library budget and get patrons immediate access to an ebook without having to place a hold on a title.
My own public library uses hoopla, which has become one of my favorite apps, because it is ridiculously easy to use and has an excellent selection of books, movies, TV shows, music, and audio books to choose from. We are limited to five loans per month, so it will be interesting to see how Overdrive might change in the near future.
Bartholomew, H. (2018). Overdrive to Offer Cost-Per-Circ Model for Ebooks and Audiobooks to Library and School Partners. Overdrive Blogs. Retrieved from https://blogs.overdrive.com/general/2017/05/30/overdrive-offer-cost-per-circ-model-ebooks-audiobooks-library-school-partners/
https://blogs.overdrive.com/general/2017/05/30/overdrive-offer-cost-per-circ-model-ebooks-audiobooks-library-school-partners/
As I have been putting together presentation #4, I've been crunching the numbers on how to provide my library with more eBooks and eAudiobooks. Overdrive is taking a page from the hoopla playbook, and will soon offer cost-per-circ options for public and school libraries.
This blog post by Hadie Bartholomew, Overdrive Communications Manager gives collection development librarians the means to meet patron-driven acquisition needs and libraries will only be charged when a patron actually borrows a title. It is possible to stay within a library budget and get patrons immediate access to an ebook without having to place a hold on a title.
My own public library uses hoopla, which has become one of my favorite apps, because it is ridiculously easy to use and has an excellent selection of books, movies, TV shows, music, and audio books to choose from. We are limited to five loans per month, so it will be interesting to see how Overdrive might change in the near future.
Thursday, April 12, 2018
Collection Development and Management for 21st Century Library Collections: an Introduction by Vicki L. Gregory
Gregory, V. L. (2011). Collection
development and management for 21st century library collections: An
introduction. New York: Neal-Schuman.
I chose to
read Collection development and
management for 21st century library collections: an introduction
by Vicki L. Gregory in addition to the course textbook. It is a very readable,
well-written, and thorough introduction to the subject. Although published
seven years ago, it is still up-to-date on topics of both classic and recent
interest. A selection of some chapters of interest:
Chapter 1: The impact
of new technologies on collection development and management.
The world wide web has made
information so accessible that the demand has shifted from the traditional
library core collection of a little bit about everything to the demand for
everything, including very specialized resources. Gregory refers to The Long Tail by Chris Anderson (2006)
to describe the many specialized titles that were more hidden before the
internet and social media made everything available to anyone at any time. In
this new age of “every possible resource must be available,” it is up to the
librarian to act as a filter to find the best resources.
Gregory
enumerates several ways of assessing a collection, including circulation
statistics for any library (including database and eresource hits) and citation
analysis of student and faculty papers to determine if there was a need to go
to outside sources or if everything needed was found at the college or
university library or website. She goes on to thoroughly discuss why weeding is
so important, several tools and guidelines like CREW (continuous review,
evaluation, and weeding) and MUSTIE (misleading, ugly, superceded, trivial,
irrelevant, elsewhere). The sometimes outraged public reaction to weeding can
be averted by constantly performing it rather than weeding a large portion of
the collection all at once.
Chapter 10:
Professional ethics and intellectual freedom.
All library
professionals are bound by personal and professional ethical standards. ALCTS
(Association for Collections and Technical Services), a subgroup of ALA, has
composed special guidelines in addition to the ALA general guidelines. Collection
development and acquisitions librarians have unique issues because of their
close contact with vendors and the spending of thousands or millions of dollars
of institutional funds. The acceptance of gifts is one such issue, even of a
meal. Gifts should never prejudice a decision towards or away from a vendor.
With electronic media, patron privacy and confidentiality have become prime
issues, as well. Gregory refers to ALA’s Library Bill of Rights to illustrate
how to maintain intellectual freedom and refrain from censorship, even the self-censorship
of not purchasing controversial materials in the first place.
Chapter 11:
Preservation.
Gregory
gives a synopsis of physical preservation in libraries. Of interest is the
special challenge of electronic resource preservation. One of the stumbling
blocks of electronic formats, including hardware and software, is the swift
pace of technological advancement that renders older formats redundant and
sometimes unusable. For example, does anyone still have 8-track tape players
available? Even carefully digitized or born-digital collections have to be
migrated to newer platforms and file forms as technology progresses.
Chapter 12: The
future of collection development and management.
The future
involves the ever-expanding role of electronic resources, of course, but also
of the increasing local contribution of information, such as digital
repositories of local research. Information literacy is of greater importance
now than ever with the many competing unauthorized (and downright incorrect) resources
available on the web. The author opines that the physical book will never
completely vanish. I certainly hope so. Although I love the ease and speed of
acquiring and using eaudiobooks, ebooks, and other online resources, I also appreciate
the ease of reading, rereading, note taking, and referring back inherent in the
physical paper form.
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